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Issue 7 Summer 2022

Issue 7 Summer 2022

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See the full contents of Issue 7 (PDF file).

Front Cover

Fresco of a mask on vine leaves and bunches of grapes from the east wall of triclinium 13, House of V. Popidius, Pompeii VII.14.9, 55 x 55 cm, first century CE. National Archaeological Museum of Naples (inv. 9798). Photo: Flickr/Public Domain.

Current Affairs

Philokleon Goes Viral

Aristophanes scholar Matthew C. Farmer has suggested that the Trump campaign slogan “Make American Great Again” finds parallels in several passages in Wasps in which supporters of Kleon express a nostalgic longing for the “good old days” of the Athenian past.Daniel B. Levine · Issue 7 ·


Climate of Violence

Our intelligence is multiple, fractured, and spread across billions of people and thousands of institutions. Adam Briggle · Issue 7 ·

What a Nation Isn’t

Recognizing the distinction between unity and uniformity—between, on the one hand, a national unity made up of divergent traditions and, on the other, an unrealistic national uniformity that is rarely manifested except during brief, unsustainable periods of patriotic enthusiasm—is an elementary prerequisite for cultural history and analysis.Steven Grosby · Issue 7 ·

Against Linear History

To be modern is to privilege the present over the past.David Hawkes · Issue 7 ·

Literary Lives


To Like, Or Not To Like?

For over ten years, media theorist Jonathan Gray has pushed beyond studies of fandom, the gathering of likers around their favorite programming, to explore the realm of what he terms dislike.Jonathan Hartmann · Issue 7 ·

Not Furnishing Factual Answers

Robert Trammell is an avatar of the Dallas underground.Sean Hooks · Issue 7 ·

Revelation Without Resolution

What is most appealing about O’Connor’s work is that, in it, she is not afraid to look into the unknown and let it remain unknown—to give it revelation without resolution. Jason Walker · Issue 7 ·

The Power of Place and Time

What could be more of a California archetype, a California life, perhaps even a California cliché, Haven argues, than a mid-century émigré coming to a place that is held up as a place, a state of mind, of constant reinvention?Lydia Pyne · Issue 7 ·

Gambling, Debt, and Literary Fortune

Dostoevsky lost everything at the Wiesbaden casino, but the episode seemed to finally reveal to him the true depth of his habit, that it threatened not only his marriage but the life of his wife.Benjamin Shull · Issue 7 ·

Folio


Musical Spheres

Lightness, Panache, and Glistening Sonorities

Keeley’s music is genial and filled with lightness and panache… While Carl’s work is post-impressionistic, and about space and time, it utilizes materials in a most sophisticated and, dare one say, classical way. Daniel Asia · Issue 7 ·


A Journey on the Way of Bach

Moller situates Bachian counterpoint between the Renaissance, with its emphasis on harmony (who listens to Palestrina for the tunes?), and the modern popular musical era, with its apotheosis of melody (who listens to Elvis for the harmony?). Nathan Jones · Issue 7 ·

Art Worlds

Evelyn Longman’s Genius of Electricity

Longman’s unusual choice to personify victory as an exuberant athlete instead of the traditional winged female figure exemplifies one key to her success: her ability to capture an institution’s message in a novel visual form.Margaret Samu · Issue 7 ·

Dave Hickey Now

Oppenheimer’s introduction tells the story of Hickey’s unrealized book project Pagan America—a country of a “large, secular, commercial democracy,” united by shared icons across cultural strata.Julia Friedman · Issue 7 ·

The Authentic Warhol?

Can one write an effective biography when its subject eradicated himself from much of his artwork (even, ironically, in his self-portraits), intentionally misled friends and reporters, and left behind an archive that is as vast as it is confounding? John J. Curley · Issue 7 ·

Two Great Frenchmen in Seventeenth-Century Rome

Genre fantasies, which were popular in the seventeenth century, played a significant role in the process by which two French-born men who worked in Rome became identified as French painters.David Carrier · Issue 7 ·

Looking at Roman Wall Paintings in Oklahoma

Roman wall paintings, executed in the fresco technique, are among the most vivid artifacts from the ancient world.Elizabeth Molacek · Issue 7 ·