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Issue 5 Winter 2021

Issue 5 Winter 2021

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See the full contents of Issue 5 (PDF file).

Front Cover

taylor barnes, Emerge/Imagine, 2020, Charcoal and sewing on cloth, 29.5 x 23 inches. Courtesy of the Artist and Erin Cluley Gallery, Dallas. Private collection of Charmel Maynard, Miami.

Art Worlds

American Modernists Contemplating Asia

It was with the hope of looking for his own unique way to connect nature and abstraction that Isamu Noguchi went to the East – his other cultural source. Weiyi Wu · Issue 5 ·


Opening Our Eyes to See

Greene offers a gentle, albeit powerful call-to-action: “The world is chockablock with untold wonders, there for the taking, ready to be uncovered at any moment, if only we keep our eyes open.” Elizabeth Molacek · Issue 5 ·

A Way of Knowing

Kindness, amity, and benevolence are the motivating factors. These aspirations are embedded in the central artwork linguistically with the prominently utilized kanji seals for “heart” and “friend.”Robert E. Gordon · Issue 5 ·

A Weird, Unique Lushness

You don’t have to believe anything spiritual to find yourself bewitched by El Greco’s acidic palette, fantastic settings, and writhing, soaring saints.Brian Allen · Issue 5 ·

What We Talk About When We Talk About Leonardo

The popular picture of Leonardo as an inventor of machines (and the many science-museum exhibitions that have followed) and as a scholar of anatomy was essentially formed in the twentieth century as his manuscripts and drawings were widely published for the first time.Mark Rosen · Issue 5 ·

Literary Lives

Please, Mr. Judge Man

In the townships, where there were few social activities besides drinking and sports, and until the early 1990s, gatherings of men were politically suspect. Belonging to an Isicathamiya group was one of the few ways to socialize after a long day of labor.Thomas Riccio · Issue 5 ·

A Silent Fool

Lear cannot abide silence. He is unable to “hear” the truth of silent testimony about the way things are.Andy Amato · Issue 5 ·


In Praise of Ozsváth and Turner’s Poetry of Translation

Ozsváth and Turner, amazingly, have achieved the impossible: the syllabic count, the metrics, the rhyme scheme, and the even the number and line placement of the feminine endings matches Goethe’s German perfectly.Mark Olival-Bartley · Issue 5 ·

Folio

Tomorrow, 2019

Riley Holloway lives and works in Dallas.Riley Holloway · Issue 5 ·

Sister Jean, 2014

Letitia Huckaby lives and works in Fort Worth.Letitia Huckaby · Issue 5 ·

Jaiden and John Marcus, 2020

Sedrick Huckaby lives and works in Fort Worth.Sedrick Huckaby · Issue 5 ·

The Father and The Son, 2019

Desireé Vaniecia lives and works in Dallas.Desireé Vaniecia · Issue 5 ·

When the Flowers are in Bloom, 2019

Evita Tezeno lives and works in Dallas.Evita Tezeno · Issue 5 ·

Endurance, 2020

Jammie Holmes lives and works in Dallas.Jammie Holmes · Issue 5 ·

Emerge/Imagine, 2020

taylor barnes lives and works in Austin.taylor barnes · Issue 5 ·


Endless

These five poems tell the story of a life. Written between January and April of 2020, they explore my desire to understand the reverberations of physical trauma on me and those I love. Jane Saginaw · Issue 5 ·

Grassy Knoll Covid Morning

We first have to recognize that the shadow is there and real. We have to step into it, explore it, figure out why it is there and what it is doing to us.Tom Palaima · Issue 5 ·

Sentience as An Outing to the Zoo

Nomi Stone · Issue 5 ·

Sciences and Arts

From Laboratory to Museum

Many of the notes written on the pages provide mundane details of the experiments—things a researcher would write as a record for future reference—but across the top of the left page in large, all-capital letters are the words: “TOLL, TOLL, TOLL.”Elizabeth Molacek and Aaron Fond · Issue 5 ·

Voyaging with Charles Darwin on the Beagle

We have to imagine the father of evolutionary science clambering over volcanic landscapes, reeking of sweat, covered in dirt and beetles, like some kind of animistic shaman communing with the wilderness.Amit Majmudar · Issue 5 ·

The Ancient and Future Art of Terraforming

Human art, human fiction, human invention, human technology, are not unnatural forces that have suddenly erupted into nature, but are the natural continuation of nature’s own evolutionary process. Frederick Turner · Issue 5 ·


Coins, Trinkets, Bits and Bobs

Lake takes her readers through a history of artifacts that people dug up or collected in England during the eighteenth century, focusing on coins, manuscripts, weapons, and grave goods as specific case studies.Lydia Pyne · Issue 5 ·

Current Affairs

Dealing with Disappointment in Democracy

Healthy democracies deal with the disappointment they continuously generate by keeping “winners” and “losers” fluid, always open to reconstitution, not hard-and-fast divisions. Michael Fischer · Issue 5 ·

Classicism by Decree

Greenberg dwells on the current function of “kitsch,” which he defines as “academicized simulacra of genuine culture,” and “vicarious experience and faked sensations.” Julia Friedman · Issue 5 ·

Will Laughing at and with One Another Save Us?

Israel seems quite correct in his claim that if Melville’s Ahab, with his bitter rage at what is morally offensive and cosmically disordered, may be seen as a representative figure revealing the haunted soul of American white Protestants, for the Jews the complementary imaginative construction is the Yiddish writer Sholom Aleichem’s Tevye the Milkman. David A. Gerber · Issue 5 ·

The Cost of Discipleship

Reitter and Wellmon do propose Weberian vocation as a universal possibility which, if we all acted on it, would grant us more meaningful lives. But an equally plausible conclusion is that there is something wrong with Weber’s ideal of vocation.Ashley Barnes · Issue 5 ·