Reviews

Against Linear History

To be modern is to privilege the present over the past.David Hawkes · Issue 7 ·

Gambling, Debt, and Literary Fortune

Dostoevsky lost everything at the Wiesbaden casino, but the episode seemed to finally reveal to him the true depth of his habit, that it threatened not only his marriage but the life of his wife.Benjamin Shull · Issue 7 ·

Retouching Lubitsch

The great French director Jean Renoir once said that Lubitsch was the man who invented Hollywood, and what he meant was that Lubitsch was chiefly responsible for inventing the classic Hollywood technique of “invisible” editing.David Weir · Issue 4 ·

The Best Books in Rastafari Studies

From Senegalese Muslim Rasta making pilgrimage to the Mouride holy city of Touba to Rasta-identifying Maori nationalists in Aotearoa, New Zealand, and from Israeli Dreads fostering philo-Zionism in Tel Aviv to Kyoto-based Zen Rastas looking to reclaim the Japanese environment, Rastas are everywhere. Darren J. N. Middleton · Issue 4 ·

“A Plot to Which There Isn’t More Than Meets the Eye, But Then There Is”

Moon is saying it’s really important for you to decide what kind of writing to pursue; there are entertainers and there are writers of literature. A. Kendra Greene · Issue 4 ·

The Exchange of Image and Meaning: A Conversation

Marking the hours is an archetypal human occupation, and there are many religious and folkloric associations with the hour of daybreak, the threshold between darkness and light, between being in a dream and being awake.Richard Bailey and Jesse Morgan Barnett · Issue 4 ·

Restoring Coherency to Byron

Peattie suggests that “Dieting for Byron represented a heroic endeavour, to free the spirit from the body, a battle for independence that paralleled (if it did not also reflect) his enthusiasm for other struggles for independence.”Kenneth L. Brewer · Issue 4 ·

Anti-Semitism, Islamophobia, and The Uncertain Future of French Secularism

Bruckner comes to this debate with the same ideas he has always had—Enlightenment anti-religious, libertarian, liberationist.Seth Armus · Issue 4 ·

A Language For the Body

Dorothy Hood worked on a heroic scale, with large expanses of color fields juxtaposed with black zones and strange, intermittent areas where the painting is patterned, echoing natural forms like canyons and oceans.Wendy Atwell ·

Envy and Imitative Desire

Education, once a promise of a better future for all, now seems a desperate tournament by which some escape the miserable fate that awaits many others.Titus Techera ·

Suburban Wars

Carr maps the birth of industrial music as a “poetic response” to the end of the Industrial Era, when the decline of manufacturing economies thrust the Midwest into financial crises from which the area never fully recovered.Ben Lewellyn-Taylor ·

Funny and Terrifying: Robyn O’Neil’s Apocalyptic, Dystopian Humor

Fires are burning, flus are spreading, and Robyn O’Neil’s drawings aren’t going to make you feel any better about it. Wendy Atwell ·

Poetry At the Threshold: Reflections on a New Hölderlin Translation

For Hölderlin, language is not an instrument of communication, a tool designed to enable us to transmit or convey “information;” it constitutes, rather, nothing less than the supreme event of human existence, a world-forming power that exposes us to the highest possibilities of our being.Charles Bambach · Issue 2 ·

Painting After the Digital Revolution

Throughout Laura Owens, viewers can see what they might interpret as evidence of her female, mother-human embodiment—buttons, childrens’ cartoons, macramé, her son, cut paper, puff paint—but playfulness in Owens’s work predates her motherhood and competes with it. Liz Trosper · Issue 2 ·

The Publisher’s Reader Extraordinaire

From his earliest years Garnett deplored the insularity and what he saw as the anti-intellectualism of British authors and the British reading public—their philistinism, in fact.Brooke Allen · Issue 2 ·

A New Picture of Oscar Wilde

Frankel shows how the letter to Douglas changed over the course of its long composition from a bitter excoriation of the spoiled aristocrat as the agent of the artist’s ruin to a deeply reflective spiritual autobiography of the sort that Wilde read in prison (such as Augustine’s Confessions). David Weir · Issue 2 ·

The Best Books on the Impact of World War I

Sheehan’s book is a piercing explanation of why Americans and Europeans today have such different views about the nature and purpose of war.Jesse Kauffman · Issue 2 ·

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