Reviews

Mutability and Mortality

Perhaps my favorite in this set of personal homages is “Ode to the Arts and Humanities Staff” which sings the praises of the otherwise unseen and unsung heroes, the clerical and support staffs that keep universities and academic departments running. Robert Crossley · Issue 10 ·

Translating the Chinese Diaspora

For many of the characters in Yan’s stories, particularly those who find themselves alone in a foreign land, the feeling of always wishing to be elsewhere captures a state of longing that appears to be the most permanent fixture of their interrupted lives. Mai Wang · Issue 10 ·

A Weird, Unique Lushness

You don’t have to believe anything spiritual to find yourself bewitched by El Greco’s acidic palette, fantastic settings, and writhing, soaring saints.Brian Allen · Issue 5 ·

What We Talk About When We Talk About Leonardo

The popular picture of Leonardo as an inventor of machines (and the many science-museum exhibitions that have followed) and as a scholar of anatomy was essentially formed in the twentieth century as his manuscripts and drawings were widely published for the first time.Mark Rosen · Issue 5 ·

Immortal and Beloved: Beethoven and Bildung

What distinguishes Beethoven is his insistence that the performer and listener engage in Bildung of their own through his music. Having performed a great deal of Beethoven’s music, I am often in awe not at what he wrote on the page, but what he left off it; that is to say what he forces the performer to interpret, discover and create themselves. Samuel I. Grosby ·

A Classic, Done Classically

The Royal Ballet’s production, with Oliver Messel’s original 1946 designs, is the crème de la crème of British ballet.Hermione Dowling ·

Reason and Follies, Majas and Bulls

Making appearances are flying dogs, people traveling in weird conveyances, all sorts of raging lunatics, defecating monks, acrobats, gluttons, murderers in the act, and phantoms dancing.Brian Allen · Issue 4 ·

The Fruits of Augustine’s Confessions

“Augustine,” Constantine explains, “is the first autobiographer to achieve a warm and intimate bond with his audience.” James Patterson · Issue 4 ·

Resilience in the Absence of Hope

Despite Braun’s sense of hope- and aimlessness, he keeps on writing, and a new poetic role opens up in the process through the very act of writing: he becomes a seismograph of the aftershocks of the great earthquake.Jeffrey D. Todd · Issue 4 ·

Retouching Lubitsch

The great French director Jean Renoir once said that Lubitsch was the man who invented Hollywood, and what he meant was that Lubitsch was chiefly responsible for inventing the classic Hollywood technique of “invisible” editing.David Weir · Issue 4 ·

The Best Books in Rastafari Studies

From Senegalese Muslim Rasta making pilgrimage to the Mouride holy city of Touba to Rasta-identifying Maori nationalists in Aotearoa, New Zealand, and from Israeli Dreads fostering philo-Zionism in Tel Aviv to Kyoto-based Zen Rastas looking to reclaim the Japanese environment, Rastas are everywhere. Darren J. N. Middleton · Issue 4 ·

“A Plot to Which There Isn’t More Than Meets the Eye, But Then There Is”

Moon is saying it’s really important for you to decide what kind of writing to pursue; there are entertainers and there are writers of literature. A. Kendra Greene · Issue 4 ·

The Exchange of Image and Meaning: A Conversation

Marking the hours is an archetypal human occupation, and there are many religious and folkloric associations with the hour of daybreak, the threshold between darkness and light, between being in a dream and being awake.Richard Bailey and Jesse Morgan Barnett · Issue 4 ·

Restoring Coherency to Byron

Peattie suggests that “Dieting for Byron represented a heroic endeavour, to free the spirit from the body, a battle for independence that paralleled (if it did not also reflect) his enthusiasm for other struggles for independence.”Kenneth L. Brewer · Issue 4 ·

Anti-Semitism, Islamophobia, and The Uncertain Future of French Secularism

Bruckner comes to this debate with the same ideas he has always had—Enlightenment anti-religious, libertarian, liberationist.Seth Armus · Issue 4 ·

A Language For the Body

Dorothy Hood worked on a heroic scale, with large expanses of color fields juxtaposed with black zones and strange, intermittent areas where the painting is patterned, echoing natural forms like canyons and oceans.Wendy Atwell ·

Envy and Imitative Desire

Education, once a promise of a better future for all, now seems a desperate tournament by which some escape the miserable fate that awaits many others.Titus Techera ·

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