Essays

The Risk is Part of the Rhythm

This artifice of the colloquial, the collision of tradition-drenched formality with streetwise argot, plays as large a part in Denby’s poetry as it did in his conversation, providing what Cal Revely-Calder calls the “fussiness native to Denby’s style.”Barry Schwabsky ·

Authenticity in Historical Film

The Romans’ pop-cultural presence in cinema produced such classics as Ben Hur, Cleopatra, Life of Brian, Spartacus, I, Claudius, and even the first Gladiator, along with a plethora of other movies, musicals, and television shows. Ryan Michele Tidwell ·

Understanding The Senex

In the Hindu tradition, for instance, an appropriate acceptance of the roles of the life cycle, the Ashrama, is the path to happiness and fulfillment in life.Robert J. Stern, Roger Malina, Frederick Turner, and Tina Qin Chen · Issue 11 ·

From Ashes to Lessons

Remembrance is not just about looking backward. It’s about looking forward. It is a commitment to shaping a just and equitable future. Mehak Burza ·

Building to Inspire

Some of the most important spaces on campuses are the spaces in between the buildings, the walkways, plazas, green spaces. For the buildings within the Athenaeum to be successful, they need to be connected to these exterior spaces.Nils Roemer and Arne Emerson · Issue 10 ·

The Dragon’s Pearl

Unlike the dragons of the West, the dragons of East Asia are benevolent, compassionate creatures, combining the best attributes of several animals: the talon of the eagle, the head of the lion, and the body of the serpent.Amy Lewis Hofland · Issue 10 ·

From Texas to the World

𝐹𝑟𝑜𝑚 𝑇𝑒𝑥𝑎𝑠 𝑡𝑜 𝑡ℎ𝑒 𝑊𝑜𝑟𝑙𝑑 assembles for the first time artworks in the DMA collection that resulted from gifts of the McDermotts, Greens, and the Jonsson Foundation, as well as works acquired during the DMA directorships of Brettell and Pitman. Michael Thomas · Issue 10 ·

Advancing Creativity, Innovation, and Cultural Enrichment

Every day, UT Dallas students and their instructors strive to make great music. Whether through individual practice, ensemble rehearsals, or studying music’s rich history, form, and theory, their hard work is evident in every performance.Jonathan Palant · Issue 10 ·

Why We Need the Athenaeum

McGilchrist sees ultra-materialism as delusory because human beings, unlike linear and sequential machines, are complex systems. Julia Friedman · Issue 10 ·

How to Make Great Art More Accessible

Academic art history and the art museum grew up together in 1820s Prussia.David Carrier · Issue 10 ·

A Place in the Sun

Over the last few years, many academic art museums have been renovated and expanded, often after big, even heroic capital campaigns. Brian Allen · Issue 10 ·

The Writing on the Wall

There are a handful of ways that writing goes on the wall, but the most sensuous I know is a certain size of vinyl letter.A. Kendra Greene · Issue 10 ·

AI and the Futures of Literature

As I watched ChatGPT instantly blurt out a “poem about Shiva in the style of Amit Majmudar” that turned out rhymed quatrains, I fell to wondering about the future of literature. Amit Majmudar · Issue 10 ·

The Edith and Peter O’Donnell Jr. Athenaeum

The opening of Phase I and the groundbreaking of Phase II of the O’Donnell Athenaeum on Sept. 24 showcase the magic of what’s possible when we come together to expect the best, and bring it to life with imagination, focus and fortitude.Nils Roemer · Issue 10 ·

Expertise and Education

If one is willing to dwell on the difficulty, to be unsettled and challenged by it, one can develop a flexibility, a stamina, an imagination of thought. Jordan Poyner · Issue 8 ·

The Art of Conversation and the Revival of the Humanities

Montaigne’s comparative method encourages a complex mixture of appreciation of the many ways human beings live their lives, modesty about one’s dispositions and accomplishments, and the free but unpresumptuous exercise of individual judgment about the whole.Benjamin Storey · Issue 8 ·

Mark and Dot

While their careers took vastly differing paths—Tworkov had the mark and Kusama had the dot—their philosophical and gestural strategies ran in parallel, sharing a skepticism of prevailing aesthetic orthodoxies. Jason Andrew · Issue 8 ·

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